My new big writing project: The Zero Point
Hot on the heels of the wonderful success of The Crisis of Civilization (2011)
and the book on which it's based, A User's Guide to the Crisis of
Civilization: And How to Save It (2010), I'm involved in a number of
endeavours to build on what we achieved, including some exciting new initiatives
under the umbrella of the Institute for
Policy Research & Development.
However, the thing I'm going to introduce now is my current
writing project: The Zero Point.
A Novel!?
Yes. The Zero Point is
my first novel. It's a political science fiction thriller, and what I envisage
to be the first in a trilogy.
The Zero Point has
been in the making for almost four years - I started writing it while I was
also working on Crisis. When I first
started, it was a bit of fun when I had some time on my hands (oh the good ol'
days...). But working with Dean
Puckett to make The Crisis of
Civilization opened my eyes to a whole new arena of creative communication
and expression. The process of making the film increased my ability to engage
as both a speaker and a writer, and helped me to learn how to make complex
ideas accessible to a wide audience. And that created a whole new world of
possibility for me to consider.
While I will always seek to ground myself in rigorous
scholarship, my Crisis experience
made me even more interested in exploring new ways of communicating. One medium I decided
to experiment with is fiction.
Why Fiction?
I wrote The Zero Point
with a couple of overlapping goals. Obviously, I wanted to entertain. I love
reading political thrillers, science fiction, and fantasy - and I love movies
and TV shows which can combine strong characters with exciting plots and fast
action. So I wanted to write something that I myself might like to read -
something straight up fun, cool, and intriguing.
But I also felt that a novel could be a medium for
expressing ideas and reflections which would perhaps never make it into my
academic or journalistic work; for exploring possibilities that may well be
speculative, but could yet throw light on some of the big global issues we face
today and how they're already changing our lives, often for the worse.
I've kept the project quiet until I felt reasonably
confident that I was really onto something. I'm pleased to say I'm now at a
point where I'm comfortable with letting you guys know that this is what I'm
working on - the novel is now complete, has gone through a series of successive
painstaking re-drafts and edits, and is in the last stage of editing.
What's the Story?
So what's the novel about you're probably (hopefully) wondering. The
novel's about a lot of things.
On the one hand, it's a fast-paced high octane
action adventure replete with violence, profanity, political intrigue,
conspiracy, and suspense with a dash of science fiction and even paranormal
weirdness.
On the other, beneath the glossy surface, it's a dystopian
reflection on how excessive secrecy in the intelligence community can
compromise democratic accountability and endanger national security; and the
fact that technology, no matter how unbelievably powerful, cannot save us from
crises of our own making.
And with those big themes in mind, it's very much about addressing the crisis-ridden zeitgeist of today's world. But what's it actually about?
The Synopsis!
Well here's the blurb:
In a near-future dystopian London on the brink of collapse, a reluctant ex-soldier fighting to clear his name after being framed for the assassination of the Prime Minister uncovers an ancient Nazi conspiracy to unleash imminent Quantum Apocalypse.
Great Britain in the near future. Mass riots. Economic depression. Power cuts. And another war to stabilise Iraq.
When Prime Minister Carson is brutally assassinated by Islamist extremists, police officer and Iraq War veteran David Ariel goes on the run after becoming an unofficial suspect in a compromised investigation.
As London is locked-down under martial law, the threat of Middle East Armageddon looming, the love of Ariel's life - renowned war correspondent Julia Stephenson - warns of a wider plot to bring the West to its knees, before going missing in Iraq. In a frenetic race against time to elude death and stop the next attack, Ariel is forced down a blood-soaked path of no return facing off against unscrupulous terrorists, bent coppers, and double-crossing secret agents.
Traumatised by his past and haunted by inexplicable visions, Ariel's hunt for Carson's killers leads him unwittingly into the heart of an international conspiracy involving Nazi black weapons projects during the Second World War. As he struggles to retain his sanity, conflicted over his return to violence, Ariel finds himself caught in the crossfire of a secret battle to control terrible technologies that could rip apart the fabric of spacetime itself.
What makes this project special, for me, is that although
it's an unadulterated work of speculative fiction, it's inspired throughout by
the real-world: the strange and dubious history of Western intelligence
agencies, highly classified efforts to weaponise the potential and theoretical
implications of quantum physics, and a possible near-future on a planet
crumbling under the weight of climate change, energy depletion, and economic
crisis.
A Pre-Publication Award!
Earlier this year, while no one was looking (except my wife), I submitted an early draft of The Zero Point to the 2012 Amazon Breakthrough Novel Award. After some months of serious nail-biting tension, I was delighted to discover that The Zero Point was a Second Prize Quarterfinalist in the Award.
Since then, I've been editing and re-writing away to make the novel the best if can be...
When's it Ready?
Well, first off, for all
those out there who've ever been fans and supporters of any of my work, I think
you'll be really excited by this novel, and I want you to know about it now and
support the project by spreading the word!
Secondly, I'm not yet decided on how I'm going to proceed
with publication. The traditional route - through my literary agent - is the
obvious one as it's what I've done for the most part throughout my writing
career; but friends and colleagues have urged me to seriously consider going
the non-traditional Indie route of self-publication. They think I'm in a great
position to make the project a massive success without relying on an 'outmoded'
publishing model. I don't really know the answer, and, well, I thought I'd ask
you. What do you think?
Thirdly, I've consulted with a few people in the know in the
novel writing world, who've confirmed that one of the best ways to get feedback
is to use beta readers. I gave this a shot a while back and was fortunate to nab some really wonderful critique friends, but admittedly my approach to doing so was a bit haphazard. As I'm in the final stage of editing, I'm now at a
point where the novel is ready for a final beta reading, with a view to solicit critique and feedback! This is YOUR chance to get
involved in the finalisation of the novel, winning an acknowledgement in the
book, and helping me to take it to that next level.
But there's a BUT.
Naturally, there are
only a very limited number of ZP Beta Reader positions available, and certain
qualifications are required. If, by now, you're an aspiring ZP Beta Reader, you should
be the following:
1. A lover of reading, in particular enjoying a diverse range of fiction
2. Constructive and reasonably articulate - someone who is
able and willing to give specific and constructive genre-specific feedback on
plot, character development, writing style, and so on (you don't need to be an
expert by any means, or have specific experience, but you should be confident about communicating)
3. In possession of decent English language skills and a
healthy respect for spelling and grammar (though you won't be asked to proof-read
so don't worry!)
4. A person of honesty, integrity and reliability who can
commit to providing feedback within a mutually-agreed time frame
5. Someone who doesn't mind a good literary dose of brutal violence, nor gratuitous profanity - and may well get their rocks off on both
If you think you're a good fit, would like to be a ZP Beta
Reader, and can't wait to read and give feedback on an exclusive copy of my draft manuscript, please
apply in writing directly to me at nafeez.ahmed AT iprd.org.uk, with a little bit about
yourself, your background, and how you fit the above criteria.
Applications
will close on midnight, GMT, Sunday 7th October. The countdown to the zero point begins...